How Journey Finally Broke Through With ‘Infinity’
Ever wake up one morning you somehow missed something that was sitting right under your nose?
That sense of disorientation probably afflicted many fans of ‘70s prog rockers Journey when they dropped a needle on the band’s fourth studio album, Infinity, which was released on Jan. 20, 1978.
At the time, Journey consisted of vocalist/keyboardist Gregg Rolie, guitarist Neal Schon, bassist Ross Valory and drummer Aynsley Dunbar. Prior to the LP’s recording, they were handed a sort of ultimatum from their record label, Columbia, demanding they deliver a hit (or five) to make up for the band’s three artistically ambitious, but commercially disappointing, prior albums.
Journey’s strong-armed manager, Herbie Herbert, felt the problem could best be solved by enlisting a true front man capable of stomping the stage (seeing as Rolie was ever trapped behind his piano), and encouraged the group to begin auditioning unknown but charismatic lead vocalists, pronto!
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The first serious candidate was one Robert Fleischman, who got as far as recording a few demos and performing some scattered dates with the band before being passed over for the even more suitable Steve Perry. With their new lineup now in place, Journey moved ahead with step two in their wholesale transformation: reinventing their sound.
Saying adieu to the overwrought progressive style of yore, the band was literally reborn as a commercial pomp-rock colossus, ready to fill entire stadiums with melody -- and hook-laden anthems like "Wheel in the Sky," "Lights" and "Anytime" -- most of them born of the brand new Perry/Schon songwriting team.
Needless to say, Journey’s metamorphosis was a resounding success, rescuing the band from the proverbial prog-rock scrap heap, and paving the way towards arena-rock ubiquity.
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